1 l 5 >> I like to think that the connection between an industrially produced object such as the Venetian blind, associated with a domestic and private realm, and two mirrors facing each other, reflecting each another and de facto creating an infinite reflection, as well as two pulsating light bulbs (programmed according to a light cycle derived from the transcription of a particular sentence including some repetitions and variations) might bring the viewer closer to the "sensuality" of logics, to dependent participation and to the daily questioning about the self-effacing traces of one’s own doing. vs_ny_nov. 2010
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