| Giovanni Drogo's Surreal Delay (Pulsar CP1919), I-IV 2016 |
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| Plateau (Antiméridien/Postméridien) 2016 |
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| Beginning/Conclusion 2016 |
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| "Avant" se trouve après "après" 2016 |
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"Hier" est postéreiur à "aujourd'hui" |
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Mapping/Erasing |
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| Pulleys, I 2016 |
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| Pulleys (Newspapers, Jan.–May 2016), I 2016 |
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| Mirror of the Sea (African Mask (Dogon)/Fi: Black Paint Can), II 2016 |
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| Mirror of the Sea (African Mask (Dogon)/Fi: Black Paint Can), I 2016 |
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| The Supposed Half of Yesterday 2016 |
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| The Supposed Half of a Day 2016 |
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| Half-Empty Glass 2015 |
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| Half-Full Glass 2015 |
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| Mirror of the Sea (Hangzhou, I) 2015 |
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| Mirror of the Sea (Hangzhou, II) 2015 |
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| Reasoning Is Faultless (But Wrong Nevertheless), I 2015 |
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| Reasoning Is Faultless (But Wrong Nevertheless), II 2015 |
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| Searching For... (A Days And Night In Amsterdam), II 2012-14 digital slide projection |
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| What One Says Or Feels Resonates 2014 |
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| Four Speakers' Corners, I 2014 Installation |
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| Heavy Airmail Letters (The Will Make Bets) 2014 |
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| Floor/Ceiling Piece (ten hours walking and talking in Paris with Adrian McGrath) 2014 Diptych |
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| Window I (Josef K.'s Relation Diagram To 17 Of The Characters In The Trial) 2014 Installation |
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| Poète Public 2014 Installation |
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| Untitled (P.P.P.) 2013-14 wall installation |
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| Posture /Position..., June 2013 – Feb. 2014 2013-14 time-based text work (8 months) |
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| In/Voluntary Movement Diagram (Josef K.) 2014 installation |
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| Posture / Peril 2013 neon work |
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| A Game of Mental Chess (Raskolnikov/Porfiry Petrovich) Paillard Version 2013 |
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| Si je me taisais, je n'entendrais plus rien. Mais si je me taisais, les autres bruit reprendraient. 2013 five folded pigment prints |
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| Heavy Airmail Paper (You Never Turned Around...) 2013 |
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| Une certaine idée de l'histoire de mon père, I 2013 a four-part installation |
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| Une certaine idée de l'histoire de mon père, II 2013 a four-part installation |
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| Une certaine idée de l'histoire de mon père, III 2013 a four-part installation |
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| Une certaine idée de l'histoire de mon père, IV 2013 a four-part installation |
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| Whether It 2012 Neon installation |
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Searching For... (One Day and Night in Amsterdam) |
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| Good-bye Darkness V 2012 Installation |
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| Days 2012 Floor sculpture |
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| 00:00:1.20s 2012 Sculptural object |
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| How Could 'Godot' End?, II (Spinning Top/Toupie) 2012 |
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| Heavy Airmail Paper 2012 |
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| Untitled (Gagarin III) 2012 Sculpture |
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| Gagarin II (Sphinx / 31 January 1962) 2012 Floor sculpture |
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| Gagarin I (Impenetrable Corner/108 Minutes a Day) 2012 Installation |
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| F. Dostoyevsky: C. and P., page 67 (Penguin Popular Classics), divided vertically 2007/2011 Installation |
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| Letters To People (Silence Destroys Consequences) 2010-11 Installation |
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The World Was Full of Objects and Events and Sounds That Are Known to be Real... 2011 a group of twenty collages |
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How Could 'Godot' End ? (Date Painting < | > Neutron Star) 2011 |
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This Impact Leads Into..., February – 2011 |
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| Opening Moves (Valuable Qualities of the Mind to be Acquired as to Become Habits) 2011 suspended prop piece |
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| 12 Months Project Planner Piece (Silence Destroys Consequences) 2010 installation |
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| Good-Bye Darkness IV – Elephants Don't Play Chess 2010 installation |
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| I Clapped Furiously, Too, August 2010 – January 2011 2010-11 time-based text work (6 months) |
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| Les vingt-quatre heures, April – September, 2010 (folded to trace a pre-established itinerary on a September afternoon) 2010 time-based text work (5 months) |
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| Man Leaving Harbour on a Ship (in a Room) 2009-10 audio installation |
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| Defamiliarizing Tactics, Twice 2009-10 diptych two framed pigment prints |
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| Visionaries & Voyeurs, II 2009 single channel video projection |
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| Reciprocal Scrutiny (bordereau) 2009 installation, diptych |
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| Monologism As Poetry 2009 large scale neon installation |
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installation video | |
| Until Nothing Happens, December 2008 – June 2009 2008-09 time-based text work (6 months) |
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| You Are Still Here (assisted version 1) 2008 installation |
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| You Are Still Here 2008 5-channel audio installation |
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| A Concrete Aeroplane (six studies on an unwritten novel by Jeff Torrington) 2008 a group of 6 collages on paper |
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| Language Will Never Quite Connect You To The World 2008 Newspaper cut out letters on wall |
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| You Are Still Here (7 days, 7 different newspapers, different articles) 2008 7 lined sheets of paper, cut out letters and graphite on paper |
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| 7 Erased Contributions (caryl) 2008 pencil on paper, erasure |
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| A Meditation On The Inevitable, September 2007 – March 2008 2007 – 2008 time-based text work (6 months) |
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| IL fait jour ? (Il ne fait pas nuit) assisted version 2007 Video installation |
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| F. Dostoyevsky: C. and P., pages 57/58 (Penguin Popular Classics), burned three times 2007 |
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| Dependent Participation, March – September 2007 2007 time-based text work (6 months) |
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| Untitled (Mask) 2007 Audio installation |
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| Visionaries & Voyeurs, I 2007 Single channel video |
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Video |
| MOVING TOWARDS YOU, MOVING AROUND YOU, MOVING AGAINST YOU, MOVING AWAY FROM YOU 2005-6 Video installation |
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| Discrepancy II 2004 2 single channel video installation |
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| Untitled (Mask) II 2007 Slide projector installation |
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| Untitled (Perceptible Erosion) 2005-06 Neon installation (outdoor version) |
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| Good-bye Darkness III 2006 Installation |
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| Good-bye Darkness II 2005 Installation |
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| Anticipation 2004-05 Installation |
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| An/Ästhesie, Teil II 2004-05 Neon and audio installation |
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| Plate (for Paul) 2000/03 Aluminum object |
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| The Radio 2003-04 Single channel video |
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| To Repel Ghosts 2007 Neon installation |
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